• Silhouette of a person's side profile with a starfish overlay on the face.

    Discovery call

    We talk. I listen. You tell me about your goals, your audience, and what's keeping you up at night. 30 minutes, maybe less if you're a fast talker.

  • A maze with white walls on a light gray background, designed with a complex path to navigate.

    Strategy and concept

    I disappear into the work. Then I come back with a visual direction that's rooted in what you're trying to say. No fluff. No generic stock photo nonsense.

  • Circular arrows indicating a refresh or cycle, centered on a white background with a grayish outer area.

    Design and refinement

    You get drafts. We talk about what's working and what's not. We iterate until it's right. Focused work toward the best result.

  • A white circular object on a light blue background.

    Delivery and support

    Final files. Source files. And guidance so you can use this stuff down the road. You're not left guessing how to open a .ai file or what RGB means.

Detailed process for editorial projects:

Simple black line with circles of varying sizes along it.

Part One

A diagram of an atom with orbiting electrons around a nucleus.

Part Two

A black and white graphic of a horizontal timeline with three circles connected by a straight line.

Part Three

Author's (that's you!) responsibilities

Graphic designer's (that's me!) responsibilities

A woman sitting at a wooden table in an attic workspace, working with art supplies. The room has a sloped ceiling with exposed wooden beams, a wooden cabinet with books and decorative items, and a skylight window letting in natural light.